Archivos de diario de septiembre 2020

08 de septiembre de 2020

Guidelines for discussing the adaptive colouration of ungulates

The topic of adaptive colouration in ungulates is like an unopened gift. Have we naturalists had a mental block in interpreting the appearance of the animals we are so keen to photograph?

For example, we post thousands of photos of giraffes without discussing the obvious question 'why are they spotted?'

The initial question in every case is 'does the pattern hide the figure or body part, or show it off?' Is the animal hiding from predators or communicating with others of its kind? (see

Do prey species sometimes show off to their predators? The answers depend partly on scale, motion, illumination, background and the visual system of the onlooker. And each species of ungulate may have a different design depending on body size, habitat cover, gregariousness, nocturnal vs diurnal activity, social system, etc.

In a species living solitarily in forest, the adaptive colouration is predicted to be inconspicuous with the exception of certain small-scale patterns accentuated for social communication, such as markings on the tail or ears.

By contrast, in extremely gregarious species of open ground, hiding may be unrealistic even at night; the colouration may be thoroughly conspicuous ( and, so that intraspecific communication can work continually at a whole-body scale to aid social means of evading predation.

Either way, hiding only works when the animal stays still, because the eyes of Carnivora are more sensitive to motion than is the case in humans. So an important principle is that the same body part can be coloured to look inconspicuous when motionless but conspicuous when moved.

It is black/grey/white, rather than hues, that matter for ungulates.

The eyes of ungulates and their predators are poor at seeing hues, but excellent at seeing motion in black and white. So a 'rich rufous' antelope may look vivid against a green background (see to the human eye, but it would look grey-on-grey to a conspecific or predator.

And we may find that previously overlooked sheen effects are as important as pigmentation in the colouration of many ungulates (e.g. see how plain the back of the head is in Aepyceros melampus,, and then watch this video of the same species:

Although adaptive conspicuousness in ungulates always involves dark/pale contrasts, distance and scale are crucial.

So, for example, the whole figure of the bontebok (Damaliscus pygargus pygargus, see is likely to be strikingly piebald to all viewers even from far away. But the black-tipped white ear of the impala (see is noticeable only at close quarters. When viewed by a scanning predator it may just be 'camouflage-spotting' for the impala (see

It may be ho-hum that the colouration of animals is some complex combination amounting to an adaptive compromise between concealment and self-advertisement. But the topic is fascinating in ungulates because the patterns are so improbably diverse, from plain fawn to the bizarre striping of zebras, and from sexual uniformity to the male looking like a different species and behaving like a living flag.

Using these guidelines, can we naturalists begin to make sense of the wonderful blend of science and art that is on offer in the burgeoning collection of images in iNaturalist?

Publicado el septiembre 8, 2020 12:33 MAÑANA por milewski milewski | 0 comentarios | Deja un comentario

14 de septiembre de 2020

Is Gazella marica just an Arabian form of Gazella subgutturosa?

Based on geographical distribution, the sand gazelle (Gazella marica, see and seems to be a somewhat pallid Arabian form of the widespread goitered gazelle (Gazella subgutturosa, see and However, the relationship between the two forms (which were previously regarded as subspecies) is complicated.

A problem with explaining the pallor of the sand gazelle as arid-adapted is that subspecies yarkandensis of the goitered gazelle (see and occurs in the extreme aridity of the Gobi Desert without particular pallor.

The sand gazelle is surprisingly smaller than the goitered gazelle. This diminutive status is in line with all the other large mammals of the Arabian Peninsula, but is hard to explain ecologically.

The larynx may differ in the two forms. The goitered gazelle has what is perhaps the oddest laryngeal anatomy of any ungulate ( Nobody seems to have studied the larynx of the sand gazelle, and I have seen only one photo of this well-photographed species showing a (rutting?) male with a particularly noticeable larynx (see

The female horns are surprisingly different even considering the whole genus Gazella: extremely well-developed in the sand gazelle (see and but extremely poorly developed in the goitered gazelle (see,_Shirvan_National_Park,_Azerbaijan.jpg and

The pattern on the flank may differ slightly. In the sand gazelle, the banding conforms with that in gazelles generally, in that the darker ventral flank-band runs obliquely towards the shoulder, leaving enough space for the paler flank-band above it to be triangular. In the goitered gazelle both bands tend to run horizontally, the darker ventral band running towards the scapula and the paler band tending linear rather than triangular.

Perhaps the clearest clue to the close relationship between the two is that both display their dark tails differently from other members of their genus. Whereas most species of Gazella display the tail mainly by wagging it briskly while walking, the sand gazelle and goitered gazelle display the tail mainly by holding it up while running (see, respectively, and

Publicado el septiembre 14, 2020 11:59 TARDE por milewski milewski | 2 comentarios | Deja un comentario

18 de septiembre de 2020

Why is the mountain goat (Oreamnos americanus) all-white?

The mountain goat (Oreamnos americanus, and is the only ungulate species on Earth to possess all-whitish pelage, in both sexes and at all ages.

What is the adaptive reason for this extreme specialisation?

The obvious - and obviously incorrect - answer is 'nivicolous crypsis', i.e. hiding in the snow and ice (e.g. see in the way epitomised by the polar bear (Ursus maritimus,

Given the sheer number of photos of the mountain goat in iNaturalist, how plausible is it that a prey-animal so easy to spot (e.g. see, and so extremely photogenic, is coloured to blend into its typical environment?

Instead, it seems from innumerable photos that the mountain goat is advertised by its whitish pelage in its normal surrounds (e.g.

For clues to the behaviour of this species, see and (with appropriate skepticism for the circumstances)

The mountain goat seems so specialised for taking deliberate, sure-footed refuge from predators on rock-faces that it has abandoned attempts to hide, even at night or in infancy:

  • it is most gregarious in winter;
  • it does not attempt to crouch or 'freeze' when alarmed; and
  • even the newborns do not hide in the way of most ungulates.

The terrain chosen by the mountain goat tends - even in the cold season - to be rocky and dark rather than snowy and pale, making the animals noticeable (e.g. see and

The mountain goat is also one of the most extreme examples, among ungulates, of females emulating males in muscularity, aggressiveness, adornment (e.g. beard, mane, pantaloons), and self-advertisement. This species has feminised the macho, extending the silhouette by means of the fur to make even the female figure conspicuous (see and

Any naturalist familiar with the species knows how hard it can be to distinguish the males in any group (

Female emulation of males occurs also in other adaptively conspicuous bovids such as wildebeests (Connochaetes) and oryxes (Oryx). However, in the case of the mountain goat the horns are designed as sharp weapons rather than adornments or instruments of mere sparring - which differs from most ungulates.

Indeed, in this species the male is so intimidated by the female that his courtship requires juvenile-like postures of submission (see and

The mountain goat has nearly abandoned running when alarmed; and mothers seem capable of defending infants (see

Surely it is in view of this syndrome - anti-predator reliance on cliffs, 'feminist' self-assertiveness, and maternal defence - that the conspicuous monotonal whitishness of the mountain goat can best be understood?

Is it not plausible that the mountain goat is all-white not to hide but instead to show off?

Publicado el septiembre 18, 2020 11:02 TARDE por milewski milewski | 15 comentarios | Deja un comentario

20 de septiembre de 2020

How to distinguish two confusing species of sand gazelles: Gazella leptoceros cf Gazella marica

True gazelles, of the genus Gazella, are bewilderingly speciose in North Africa and Arabia.

Each species is individually variable; several of the species have local subspecies; photographers tend to focus on males.

As a result, identification from photos - particularly in the case of females - can be difficult even for naturalists with plenty of experience with ungulates.

In the case of two psammophilous species of gazelles inhabiting the desert dunes, the confusion is aggravated by the indiscriminate use of similar common names derived from the Arabic.

'Rhim' refers to Gazella leptoceros of the Sahara (see while 'rheem' refers to Gazella marica of Arabia (see The two seem to be mislabelled interchangeably on the internet, even when the specimens are in zoos.

The name 'slender-horned gazelle' for G. leptoceros hardly helps, because both species have long, slender, somewhat asymmetrical horns in most females. And this species is mislabelled even in professional publications (see cover photo of, which is Gazella leptoceros, but incorrectly called Gazella cuvieri).

The following are distinguishing features.

All species of true gazelles are more or less fawn with whitish ventral parts separated from the fawn by a relatively dark flank-band.

However, in the slender-horned gazelle (Gazella leptoceros), the fawn on the body, neck and legs is the most uniform of any species of true gazelle (see and and

By contrast, in the sand gazelle (Gazella marica) it is clearly differentiated into a pale upper flank-band, a pale lower-haunch, and pale legs (see

A difference too subtle to see in most photos is on the feet, which

  • in the slender-horned gazelle are - at least in some individuals - marked with small-scale dark/pale contrasts near the hooves (see, and
  • in the sand gazelle are pale like its legs - although technically the furred rim of the pasterns (adjacent to the hooves) can likewise be dark in some individuals.

All true gazelles share a certain detailed pattern on the face.


In adults of both sexes, but particularly males, the whole face tends to be conspicuously bleached (see and, forming a facial flag.

This is accompanied, in adult males, by a darkening around the eye (see that is not seen in the slender-horned gazelle.

Publicado el septiembre 20, 2020 12:21 MAÑANA por milewski milewski | 0 comentarios | Deja un comentario